RUÍDO ROSA emerge from the desire to de-hierarchize the relationship between seeing-saying-listening, to open narratives and mythologies based on the oral imagination. It proposes a choreographic experience based on listening as a form of knowledge, where the senses are not binary and the forces circulate between cavities, orifices, containers, tubes, water, diluting the limits between inside and outside, transiting through different forms of dissociation and resonance between language, voice and gesture.
The performance focuses on the issue of deep listening, not only the sensory properties of the sound of the voice, breathing and words, but also lesbian and queer sensibilities, as a concern with forms of research and creation that question normative methodologies from creation.
